Sitting quietly in a corner
To myself...
Here she comes, shuffling forward
With the sinister, styling stride
That has become synonymous with her name.
She passes by and
With the wind that seems to
Follow her powerful presence,
A slight uneasiness arises within
Me, wavering and wondering.
Immediately a crowd of
Previously static girls
Transform, as if by
Magic's mystery,
Into loyal lowly lackeys
To commend her beauty,
To praise her intelligence,
To make her stand out
In a crowd not really
So different from her.
It's comical the scene,
As she takes her seat,
Head cocked upwards like a
Golden bust of the Queen
She has those foolish girls
Believing she is.
She could care less about their remarks,
For she sits atop the world
Content and conspicuous, untouched.
And yet, as I look on,
From my candid corner,
Presence unknown to her and her fawning flock,
I see not a gracious queen
Subject to boundless praise,
But rather the loneliest being
This world has yet to witness,
Begging for just a moment,
A hesitant, fractional second of
Uncomfortable humility,
Known so well by those below
Her.
What is the Stantonian Association of Interesting People?
My friends, this blog is dedicated to those men and women who go out of their way to be remarkably interesting. In other words, all of those fascinating Stanton students (or, in the rarest of cases, students from other schools) can join this blog to appreciate creative writing developed by us students. I, Braden Beaudreau, the creator of this blog, will post my past, present, and future works on this website, and those who join and comment will get the same opportunities. May all of you live in happiness and peace, and never forget: being interesting is the only way to stand out from the masses.
I like it. Very good theme and I like the narrative poetic style. Good alliteration, good descriptors. I have no real criticisms.
ReplyDeleteThe alliteration really added to the poem. I like the theme, and the isolation in the last line is absolutely brilliant. Bravo sir
ReplyDeleteGoodgoodgood.
ReplyDeleteI like it. The rhyming doesn't seem forced, and the description makes the poem very "actiony"....
like, there is a swift stroke. Like a single motion.